I’ve waited so long for this build, and was afraid you had decided to stop doing it
Very nice build log as always, the Bauer looks to be a stunning board to type on.
I’ve waited so long for this build, and was afraid you had decided to stop doing it
Very nice build log as always, the Bauer looks to be a stunning board to type on.
Build #40: ElectroType 87
This client build began with a few requests:
Ha! She had seen the acrylic tofu build I did some time ago, and really liked the MDA Big Bone set, so that solved the keycap portion of the equation. But what to use for the case? After some back-and-forth, it eventually occurred to me to show her a section of bifrost acrylic, acrylic with a different finish sometimes called a ‘mirror-like’ finish. While I wouldn’t call the result mirror-like, it does catch the light in interesting ways. Under direct lighting, it has almost a golden sheen, while under indirect lighting, particularly natural light from a window, prism-like rainbow effects are readily apparent.
Sold! The bifrost acrylic in question came as part of the ElectroType 87 kit, a TKL build from SwitchCouture. But before we get much further into that, we’ve got some switch and stab work to do.
The constraints of “silent”, “linear”, and “light”, intersected with my current collection of switches, yielded exactly one result: Sakurios. I used these back in Build #23, and found them to be quite pleasant to use. But at that time, I hadn’t graduated to Krytox GPL 205g0 for linears, which I suspect will yield an even quieter, smoother experience. This time around, I’ll do my usual spring tub lubing with 104, and then hit the stems with 205g0. Here we are post-tub lubing, pre-stem lubing.
As I’ve mentioned before, I like to lube switches in small batches, so I don’t go mad with the repetition. With 205g0 (well, really with any switch lube), I’ve been using dental applicators for a while now - I feel I have better control over lube application than I do with a brush, which means faster switch lubing.
For stabilizers, I went with Christo 129. This isn’t the obvious choice for a silent build, but I wanted to stay with stock switches, and given the 62g spring weights, I wanted to err on the side of responsive stabilized keys.
Ready for installation into the PCB, the h87a from Hineybush, which shipped with the ElectroType 87 kit. This is v1.7 of the h87a, which allows for north- or south-facing spacebars, something to consider before installing those spacebars!
Even if it’s not strictly necessary, these days I’m in the habit of installing cloth washers on the stabilizer screws, just as an extra precaution against PCB shorts. Regardless of what you may think about C3 stabs, it’s handy that they include the washers as part of their stabilizer kits.
All right, stabs in!
Quiz time. Here’s the acrylic plate (with protective backing still in place). What have I done wrong?
Yeah, I didn’t pay attention to spacebar orientation. Sigh. Fortunately, just a couple minutes of work with the screwdriver is all that’s needed. All right, stabs in again!
Next, we mount a few switches to get the alignment of the plate and PCB dialed in. Yes, I know some of you would have removed the “PASS QC1” sticker from the PCB, but I like to be visually reminded of Hiney’s love, as I’m sure my client will be.
All switches soldered and ready for action. Now is a good time to point out a nice feature of this acrylic build - the interior acrylic layers have cutaways on either side, which effectively creates board grips on both sides of the board when these layers are sandwiched between the rectangular top and bottom layers which don’t have the cutaways.
Also, note that the interior plate acrylic is clear, not bifrost - the interior layers of the ElectroType 87 kit are all clear acrylic.
The sandwich assembly starts with the bifrost base and eight hex nuts which are screwed into place from the underside. Although photos don’t do it justice, you can see the rainbow effect I mentioned earlier - my fingers aren’t purple, and the light over the table isn’t yellow-green…
As we stack the layers, it’s a good time to point out another appreciated feature of this sandwich build; the laser-cut holes for the bolts are hexagonal, not circular, which both facilitates alignment of the individual acrylic layers, and makes it easier to tighten the nuts when they can’t spin with your driver. Here we have the base and the three interior layers in place, with only the top layer missing.
With the top layer in place, we’re ready for keycaps.
Lessons learned
You want color, we got color.
Specifications
case: ElectroType 87
- sandwich-style TKL
- bifrost (radiant) acrylic top and bottom layers
- clear acrylic interior layers
case dampening: n/a
PCB: h87a 1.7
plate: clear acrylic
plate/PCB dampening: n/a
stabilizers: C3 screw-in
- yellow, 1x6.25u, 4x2u
stabilizer mods:
- lubed with Christo-Lube MCG 129
- installed with cloth washers
switches: 87x 62g Sakurios
switch mods:
- springs tub-lubed with Krytox GPL 104
- stems hand-lubed with Krytox GPL 205g0
- no housing lube
keycaps: MDA Big Bone
HxWxD (without caps or feet): 0.75" x 14.5" x 5.5"
HxWxD (without caps): 1.13" x 14.5" x 5.5"
HxWxD: 1.38" x 14.5" x 5.5"
assembled weight: 0.95 kg (2.09 lb)
Build #41: Norbaforce Galaxy Class (Part I)
Heads up - this is a very long build log, perhaps the longest one I’ve done to date. Long enough, in fact, that I hit a 32K character limit on posts, so I’ve split it into two parts. Grab a nice beverage and get yourself comfortable.
I’ve been in the hobby for a little over two years now. That’s enough time to get many of the basics down, but there is still a great deal of backstory for which I don’t have first-hand experience. Because of that, my first encounters with custom builds from prior eras of the hobby are often just as instructive and entertaining as builds of the latest new shiny toys.
At some point during my keeb infancy, I ran across Ryan Norbauer’s bio here on keebtalk, and, specifically, the teaser photo of DSA Galaxy Class on a Norbaforce housing. Wait. This is a thing? Someone actually did a keyboard based on the LCARS interface from Star Trek: The Next Generation??
Sexy as hell, right?
At the time, I didn’t know that the keyset was DSA Galaxy Class, nor did I know that the housing was a Norbaforce in the Galaxy Console finish. Knowing what I know now, that seductive photo should be accompanied with a detailed warning, not unlike those that come with power tools or industrial chemicals. I imagine such a warning might include the following admonitions:
No! If this build log is to mean anything, then we must boldly go where no one has gone before. Or, barring that, tentatively and fearfully go where many people have gone before, and ride on their shoulders, using their heads as convenient shields and clutching a phaser dialed to maximum power, just in case.
One more warning before we begin:
Sourcing the parts and materials
There’s no getting around it - to do this build in 2020, you need to start sourcing parts in early 2019,
have some spare cash on hand, and enjoy more than a little serendipity.
We’re in business! Or so I thought…
The slider harvest
The donor Novatouch was missing one keycap, and, as advertised, not functional - no signs of life when plugged in. But the sliders felt nice - either the previous owner really broke this keyboard in, or did some lubing work of their own.
A minute or two with a keycap puller, and it appears that we have a good set of sliders for the taking, along with some detritus on the plate. Expected, and I’ve certainly seen worse.
Onward with the harvest. To get inside a Novatouch, there are four screws on the underside of the case that need to be removed. Two of them are next to the keyboard risers, while the other two are hidden beneath the two stickers - or would have been, but it appears that the previous owner has already been inside the case.
From here, we can use a flat-head screwdriver or credit cards to wedge the top and bottom halves of the Novatouch apart, working slowly around the perimeter. The USB port is attached to the case by two screws, and with those two screws removed, we have our first look at the PCB/plate assembly.
To separate the plate from the PCB and get at the sliders and slider housings, get your screwdriver ready: there are 32 screws that need to be removed from the PCB (20 black-headed, 12 silver-headed). Yes, 32. All of these screws serve the purpose of tightly compressing the rubber dome sheet between the plate and PCB, ensuring that the springs inside those rubber domes can actually generate the necessary capacitive effect to register keypresses.
Once all the screws are out, a little care is in order. Holding the plate and PCB firmly together, we flip the assembly over and set it down on our workmat, and then we gently lift the plate away from the rubber dome sheet. After a long time under compression, the rubber sheet will want to stick to the plate, and unless you want the springs under those domes to go flying everywhere, it’s wise to take this part slowly - gently separate the plate from the sheet, separating the sheet from the plate by hand if necessary as you lift, and with any luck, it will eventually lift cleanly away.
We can now get a good look at the objects of our desire - the infamous purple sliders. Specifically, 83 1u sliders, 4 modifier sliders, and a wire slider assembly for the spacebar.
Removal of the 1u sliders is straightforward. Using a fat hex bit, just apply pressure to the cruciform of the slider, and the slider will snap out of its housing. Once you get a feel for the necessary amount of pressure, it won’t take more than a couple of minutes to remove all of the 1u sliders.
The modifier sliders can be removed from their wires (and their housings) by sliding them off of the wires; the underside of these sliders have cutouts for the wire to easily pop out and back in. Similarly, with a little fiddling, the spacebar wire sliders can be separated from their wire.
We’re not going to need the PCB, domes, or springs from the Novatouch for this build, but there’s no reason to throw away potentially useful parts and materials. Here, we’ve reattached the plate to the PCB to keep those rubber domes and springs in place for storage.
The previous owner had in fact lubed the sliders, so before we can use them for this build, we’ll need to clean them. Time for a good ultrasonic cleaning. Add water and a touch of dish soap to the cleaning bin, throw in the sliders, and let it run for 30 minutes.
Once that’s done, we spread the sliders out on paper towels, and let them dry for a full day to be sure that no water remains inside the slider.
Disassembling a Realforce 87U
Here’s the Realforce donor board: a brand new 87UW55, with 55g rubber domes.
Prior to getting into the case, we remove all the keycaps. The Realforce comes with a keycap puller in the box, and I recommend you use it - the Topre caps are very tight on the sliders, enough that damage to the sliders seems a real possibility if you try to remove the caps without a puller.
Also, be sure to grab that spacebar spring and put it somewhere safe if you plan to continue using it; I generally don’t keep it in the build, as I think it adds rattle and no meaningful change in spacebar weighting, but to each his own.
Also, while we’re here, take a look at the Topre spacebar mounting stems. We’ll come back to these later on.
Getting into this board couldn’t be easier. On the underside of the board, simply pop open the four tabs along the front edge of the board.
Be careful when opening the board, however, as the USB cable is attached to the PCB and the plate.
Flipping the case back over, we can more clearly see what’s going on. The board’s cable forks into a connector for the PCB, and a separate ground wire attached to the plate.
To completely separate the PCB/plate assembly from the case, gently remove the PCB connector, and unscrew the ground wire from the plate. Don’t lose the ground wire screw - you’ll need it for reassembly.
Foreshadowing
Let’s take a quick tour of the existing sliders and housings on the Realforce, shall we? Here, we have a good look at three of the modifier slider housings; just a solid piece of plastic with a hole in the center for the Topre slider.
And, while we’re here, let’s take a look at the housing and slider for the left control key. First, note that the housing has two diagonal cutouts on opposite corners - one to match the plate cutout, and one to make room for an inconveniently located LED. Second, note that this slider itself is different from all the others - two notches on each side of the interior, rather than one. Third, although it’s difficult to see in this photo, note that this slider is slightly narrower than all the other 1u sliders, and its housing has a slightly smaller hole to accommodate that.
There will be consequences.
Back to disassembly
Did you enjoy all that screwdriver work with the Novatouch? Guess what, it’s your lucky day with the Realforce. All the fun one person can handle. Well, slightly less fun: 11 silver-headed screws instead of the 12 the Novatouch uses, but you still get all 20 black-headed ones to address.
You can use the Novatouch approach to separate the plate from the PCB and rubber domes, but even more caution is necessary here. Unlike the Novatouch, the Realforce’s domes are not in the form of a single unbroken sheet. Each dome is its own perforated piece, although some are more perforated
than others. Because of this, it’s even easier for individual domes to lift away, so be careful as you separate the plate from the domes. I ended up having to reposition a few domes and springs during this process.
More foreshadowing
Now that we’ve separated the plate from the domes and PCB, let’s take another look at that left control key. Interesting - the left cutaway on the housing goes even further than the plate cutout for the LED.
There will be consequences.
To drill or not to drill
In all of the Norbaforce build logs I’ve seen online, the need for drilling holes is frequently mentioned, but I’ve never seen a clear set of photos or descriptions illustrating exactly why this is necessary. Out of sight, out of mind, until this point in the build. Take a look at a Novatouch and a Topre mod slider, side by side:
See those two nubs on the top of the Novatouch slider? The Topre slider doesn’t have those, nor does its housing have holes in it to allow for those nubs to pass through, as I showed you before.
So, we have a choice - drill holes in the Topre modifier housings to allow the Novatouch sliders to fit, or swap out the Topre modifier housings for the Novatouch modifier housings. Since we have the whole
Novatouch board, the latter seemed like the way to go, and it was, except I wish I hadn’t screwed the Novatouch back together, since I now have to open it up again to retrieve those housings. Sigh.
Note to future me and current you: when you harvest the Novatouch sliders, harvest the Novatouch modifier housings too! You’ll thank me later.
After putting the Novatouch back together again (gotta keep those domes and springs out of harm’s way), we’re back with the Realforce plate, and it’s a quick job to swap modifier housings.
Silencing and lubing
Untuned Topre sliders can be very loud, and a number of aftermarket options for silencing them are available, but they all boil down to the same idea: put a ring of dampening material around the slider stem, so that the upstroke impact of the slider against its housing will be quieter. Generally speaking, there is a tradeoff - the thicker the material, the greater the silencing effect, but with a corresponding reduction in key travel, since the silencing ring prevents the slider from making a full return to the housing.
We begin by placing silencing rings on the slider stems.
Before we move to slider installation and lubing, let’s address stab lubing. Unlike the MX-style world, where it’s very possible to overlube stabilizer sliders and obtain sluggish key movement, Topre stab sliders can tolerate far more aggressive lubing, and often need it to fully silence rattle. I’d never apply anything close to this amount of SuperLube on a Cherry stab, but for the spacebar Topre stabs, this was barely enough.
You can get away with less grease on the modifier wires, but you still need to ensure that the wire clips and wire ends are lubed thoroughly.
At this point, the Novatouch mod sliders can be installed. It’s worth mentioning that you may still hear a bit of rattle from these sliders (and the 1u sliders, after they are installed and lubed), but if the lube job was satisfactory, all of that remaining rattle will disappear once the sliders are under compression from the rubber domes. Of course, this makes it a little difficult to test whether the lube job was sufficient during the build. Such is Topre life.
Now, we proceed with installation of the silenced 1u sliders. Note that each slider has two “arms” that fit into “rails” in the housing, so the sliders can only be installed in the correct orientation. Note also that other than the silencing ring, the only contact the slider has with the housing is on these rails, so that’s where we first apply lube. Tribosys 3204 is a good choice for this application. Once both rails have been lubed, the slider can be snapped into place.
For the moment, I’ve just placed the Topre spacebar slider back into its lubed housing, but otherwise, I think I’m done!
Except, wait - why doesn’t the Novatouch 1u slider fit into the left control housing?
That’s right. All that stuff I showed you before about the left control key weirdness? This is the actual point in the build where I began that voyage of discovery.
Yes, that’s right. To understand what’s going on with the LCTRL Realforce housing and the Novatouch 1u slider, I’ll need to look at the differences between the Realforce and Novatouch housings - which means I need to open up the Novatouch. AGAIN. And put it back together. AGAIN.
Will I recover from this blow? Stay tuned for Part II…
Build #41: Norbaforce Galaxy Class (Part II)
And now, the conclusion to “Build #41: Norbaforce Galaxy Class”…
Self-administered therapy
Realizing that my insistence on keeping those Novatouch domes and springs safe and sound has cost me a significant amount of build time at this point, and further realizing that my neglect in learning the LCTRL lessons from prior generations of builders is about to come back to haunt me, I realize that I’m about to get quite frustrated. And if there is any state of mind that isn’t conducive to a satisfying build, it’s frustration.
Fortunately, I’ve learned over the years to administer my own therapy for these kinds of situations. It’s summer. The weather forecast is good. We have fresh corn, tomatoes, basil, and mozzarella on hand. We have some sausages in the fridge. Open a nice bottle of white wine, and let’s just chill for a bit. This looks tasty.
I think LCTRL can wait until tomorrow. Pour me another glass, would you? Thanks.
Tackling LCTRL
It’s a brand new day, and we’re refreshed and ready to take the full measure of this LCTRL situation. As we noted in the first bit of foreshadowing, the left control slider on a Realforce is thinner than all of the other 1u sliders, and has a special housing to contain it, while avoiding interfering with a nearby LED on the PCB. Because of that size difference, a Novatouch 1u slider will not fit in that specific housing.
So, at a high level, we have two options:
All right, I’m calm. One more Novatouch opening/closing cycle to obtain a 1u housing, and here we are - Realforce LCTRL housing on the left, Novatouch LCTRL housing on the right.
Both housings have two “layers” - a bottom layer, which lies below and makes contact with the plate, and a top layer, which protrudes through the plate cutout and has a hole for the slider stem. There are three significant differences between the two housings:
For reference, let’s also take a look at the Realforce LCTRL plate cutout again, with and without the dome and PCB underneath it.
There’s a lot to think about here, but let’s work through it:
So, to sum up: we start by rotating the Novatouch housing 90 degrees.
In that position, we file away the top layer’s lower right corner, and the upper left corner of both layers, using a flat needle file for better control. You can see a lot of the plastic particles on the paper towel I’m using for a work surface.
The plastic is thin on the lower right corner, so you’ll likely file through the housing at that point, but it doesn’t matter, as long as there is enough plastic to maintain contact with the plate.
On the upper left corner, you’ll also completely file through the lower layer of the housing, but you’ll only need to take away a small diagonal piece of the upper layer. If you look very closely, you can also see file marks running parallel to the top and bottom edges of the upper layer - I needed to sand down the “north” and “south” sides of the top layer to obtain enough clearance for the housing to fit in the plate, due to the slightly rectangular shape of the housing and the fact that we’ve rotated it.
Fitting our filed housing into the Realforce plate, we see that we have the cutaway for the LED, and that the rails are oriented in the opposite corners from all of the other 1u housings.
And, from the top side, the slider appears to fit cleanly.
But, the real moment of truth arrives when we screw back together the PCB/dome assembly with the plate. Do we have free slider movement? Success!
Don’t forget to lube the rails on this last housing.
Norbaforce (Mark I)
The Norbaforce housing has been waiting patiently all this time for its chance to shine.
These fine individuals are enjoying their day of unboxing - clearly none of them are suffering from LCTRL trauma. Must be that coffee.
All joking aside, you have to love the Norbaforce unboxing experience. Cartoons!
Our first look at the Norbaforce with the Galaxy Console powdercoat. Potato pics aside, that’s gorgeous.
Removing the housing from its packaging and flipping it over, we see two risers attached to the housing with screws, as well as a metal baseplate also attached by screws.
Removing the baseplate, we obtain access to the interior of the housing.
The Norbaforce housing upgrades the stock Realforce to support USB-C and removable cables, which it accomplishes via a replacement breakout board.
The other side of the breakout boards sports the Norbauer portcullis logo, and this is the side that will be face up when it’s installed in the housing, like so:
The Norbaforce includes a breakout cable for attaching the breakout board to the Realforce PCB.
The easiest way to install this is to flip the PCB/plate assembly over and attach the breakout cable with a twist in it, so that when it is flipped back into place, the cable will straighten out.
Don’t forget the ground wire included with the Norbaforce and the screw you reserved for it. One end is reattached to the plate with that screw…
…and the other end is attached to the breakout board. Yes, I had to unscrew the breakout PCB to attach this, but at this point, what’s one more screw.
An old Norbaforce learns new tricks
Since the original release of the Norbaforce, we’ve seen the release of the Norbaforce Mark II for the current Realforce R2 lineup, and alongside that release, we’ve seen some new upgrades compatible with both Mark I and Mark II Norbaforce housings. First, we have a new sound dampening treatment, the Norbaforce Acoustic Dampener, which arrives wrapped in custom tissue paper:
Opening that up, we find a custom-cut pad of felt Merino wool. If your order arrives during the hot summer months, as mine did, you’ll probably smell that wool before you see it…
The pad is meant to rest freely on the bottom of the keyboard, which it will do once the base is installed and flipped over, so it’s easiest to simply place it on the PCB at this stage.
We could just screw the baseplate back into place, but there’s one more quick upgrade to do. The stock Norbaforce Mark I baseplate is made of aluminum, which we can replace with new option: a much heavier brushed gold PVD-coated stainless steel baseplate, further assisting with noise dampening, and adding heft.
Installing that into place, we finally have our first look at the completed board, sans keycaps.
Spacebars: the final frontier
Up to this point, I’ve been glossing over the decision to leave the Topre spacebar
stabs and sliders in place. My original intent was to remove that slider and
those stabs and replace them with their Novatouch counterparts, at which point
I could use the salmon-colored 6u DSA spacebar to match the DSA Galaxy Class
color scheme.
But at some point along the way, I thought to line up the DSA spacebar with
its stock Realforce counterpart, and re-learned an old lesson: the spacebar
stems don’t line up. Sigh.
We have a few options:
What to do? I ruled out the first option - I’ve made it this far without destructive mods to the Realforce parts. A quick troll through KBDfans yielded several Topre spacebars in a variety of colors, and one of them was both reasonably close in color to the Galaxy Class color scheme and less jarring than a bright salmon spacebar. We have a winner! (For the time being, at least - I admit to being intrigued
by the epoxy retrofit approach…)
Lessons learned
Shall we go see what’s out there?
Make it so.
Specifications
donor boards:
- Realforce 87U
- Novatouch TKL
case: Norbaforce (Mark I)
- Galaxy Console finish
- Stainless steel brushed gold PVD backplate
case dampening: Norbaforce Acoustic Dampener
- felt Merino wool
PCB: Realforce donor + Norbaforce USB-C breakout board
plate: Realforce donor
domes/springs: Realforce donor, 55g
slider housings: Realforce donor, except
- modifier key housings: Novatouch donor
- LCTRL housing: Novatouch donor, rotated and filed to size
sliders: Novatouch donor, except
- spacebar: Realforce donor
slider mods:
- Installed Deskeys #4 silencing rings
- Lubed rails with Tribosys 3204
stabilizer sliders: Realforce wires and Novatouch donor sliders, except
- spacebar: Realforce donor sliders
stabilizer mods:
- Installed Deskeys #4 silencing rings
- Lubed housing interiors with Tribosys 3204
- Lubed wire ends and wire clips with SuperLube
keycaps:
- DSA Galaxy Class
- kbdfans Topre PBT 6u spacebar, kit 7 (light blue)
HxWxD (without feet or caps): 1.25" x 15.0" x 7.0"
HxWxD (without caps): 1.31" x 15.0" x 7.0"
HxWxD: 1.5" x 15.0" x 7.0"
assembled weight: 2.67 kg (5.88 lb)
I can’t believe I read ALL of that. Fun build. Amazing dedication. I applaud you!
I can’t believe you did either. Returning the applause!
Super complete and great build log !
Looks like the tuning on this board is the most avanced you ever made.
I’d love to have a @norbauer case for my good old Realforce fullsize keyboard, if someday this gentleman is ready to make an aftermarket case for it …
i was resigned to the fact that I would have to cut the plate to accommodate the left control. Never thought to mangle a housing instead. Thanks!
Ayyyyy, the galaxy console finish is the sexiest !
Nice work man !
P.S: @jshufelt this is a good place to brag I guess with a Galaxy Norbatouch that I used to own.
It never occurred to me to pair Chocolatier with Galaxy Console - that’s gorgeous!
Beige is a pretty versatile color, GMK Cafe, Sandstorm, DSA Galaxy Class, Retro …
don’t forget handarbeit it looks great on beige too!!!
I credit you with a remarkably open and generous definition of greatness!
Build #42: E8.5
Longtime readers of this page may remember the E6.5 build, which has been one of my favorites for feel, sound, and looks. Even though I don’t think of myself as a linear or a 65% guy, that board, with its lubed Gateron Inks, is a joy to use, and still occupies a spot on my desk today.
The E6.5 was my first Exclusive build, and since then, I’ve been following his ICs and GBs closely. When the E8.5 group buy ran in November 2019, with founders edition and standard edition versions, the big surprise was that the standard edition would be an unlimited group buy. No raffles or FCFS buys are always appreciated, and Exclusive’s buys enjoy a good reputation, but there are always concerns whether delivery times and/or QC will suffer. In this run, those concerns were magnified by the number of mix-and-match options for the case, plate, weight, and top accent. While I was optimistic, the proof, as always, is in the build. Let’s get to it.
My lubing game has been pretty stable over recent months when it comes to linears. I continue to disassemble, lube, and reassemble in small batches of 15-20 switches, to give myself multiple opportunities to step away from my lubestation, stretch my legs and back, and wonder why I’m so dedicated to a hobby that includes this task. Here we’ve got some lubed H1s being reassembled.
When it comes to stabilizers, there is always room for improvement. Recently I became intrigued with maxf’s approach, partially because of the “thick and creamy” characterization of the sound, and partially because of the use of two lubes, and resolved to give it a try for this build. The TLDR for his approach if you don’t have time to watch the video: 205g0 on the longer two inner walls of each housing, a liberal coating of 205g0 on the stab wire ends and wire corners, and then, once the stab is assembled, a squirt of SuperLube in the base of each stab housing, where the wire meets the slider.
Our stabilizer parts ready for lubing and assembly. What’s up with my purple mood lighting? I don’t know, just roll with it, people.
With stab lubing and assembly complete, it’s time to open up the E8.5 box, and as with the E6.5, it’s the kind of box you don’t want to toss in the recycling bin, with a nice exterior design.
Layers of firm foam separate the packaged PCB from the board, and so we get our first look at the case - anodized black, with a base weight anodized in a light green that is quite hard to capture in photos. Exclusive’s crown logo is lightly engraved in the base, and a script engraving adorns the green base weight in one corner. The two halves of the case are held in place by screws.
The case ships with the plate and top accent piece installed. Here’s our first look from the top side, and IMO, it’s lovely with the matching green plate and top accent. Three narrow lines above the arrow cluster will allow lighting to shine through.
Setting that aside, it’s time for our first full look at the PCB, with a black finish and a gold logo, supporting USB-C, QMK, and VIA. Note the presence of F13.
The top of the PCB, with stabilizers installed. Note the two RGB LEDs on the right side of the board - I sense a decorative lighting accent in our future.
To get to the plate, we unscrew the case, revealing that the plate is installed in a top-mount configuration. While we’re here, note the cutout above the arrow cluster, revealing a diffuser mounted in the top of the case for the LEDs we mentioned earlier. Also, note that despite the angular, geometric appearance, all of the corners are rounded - no sharp edges. This is a nice quality-of-life touch.
As you unscrew the plate, note one little asymmetry if you’re planning to stick with top-mount on the E8.5 - the plate mounting screw for the top right of the board (from the top) is noticeably longer than the other plate mounting screws, presumably to help attach the top accent piece for the board as well.
The E8.5 includes a foam layer for insertion between the plate and PCB. Don’t be like me and forget you have it midway through pushing switches into the plate and PCB. Sigh. Let’s try that again, shall we?
The foam tends to shrink and stretch a bit as you work with it, so I found it easiest to first place a few switches around the board to make sure the foam was evenly aligned with the plate cutouts across the PCB.
After mounting the remaining switches, and a quick round of soldering later, we have a complete PCB/foam/plate assembly, at least if you plan to top-mount the E8.5.
But, the E8.5 also offers a gasket-mount option, and given my happiness with that solution on the E6.5, I decided to give it a try here. As with the E6.5, the gasket is a loop of silicone.
For installation, the gasket must be stretched around the gap between the PCB and plate, taking care to thread the gasket underneath the USB-C connector to avoid damaging it.
When using gasket-mount, the plate does not need to be attached to the top as it would be for top-mount; instead, the gasket rests on raised “ledges” in the base, and the case is then screwed together to hold the PCB/plate assembly in by compression. The next couple of photos show the ledges more clearly.
At this point, we’d usually throw keycaps on and call it a day, but I couldn’t resist the urge to do a little acrylic infilling on those engravings. For the engraving on the green base weight, black paint was the obvious play. Does the following photo concern you?
No worries, it’s water-soluble acrylic - the excess can be removed with a damp wipe.
The base logo called for a matching shade of green, which required a precisely calibrated blend of a bright green paint with white (read: I totally winged it). I ended up targeting the green in the keyset, and while I didn’t match it exactly, the desaturated green is just fine.
Lessons learned
Unlimited GBs may be challenging to pull off, but if this board is indicative, I’d have no hesitation about participating in another one run by Exclusive. Bravo!
Specifications
case: Exclusive E8.5
- anodized black aluminum case
- anodized green aluminum top accent
case dampening: n/a
PCB: E8.5
- QMK/VIA support
plate: anodized green aluminum
plate/PCB dampening:
- E8.5 custom-cut foam
- silicone O-ring gasket
stabilizers: smoky Durock
- 1x6.25u, 4x2u
stabilizer mods: maxf-style lubing
- 205g0 on two longer inner stab housing walls
- 205g0 on wire ends and bends
- SuperLube on underside of assembled stab housing, between wire and slider
switches: 88x H1
switch mods:
- springs tub-lubed with Krytox GPL 104
- stems hand-lubed with Krytox GPL 205g0
- no housing lube
keycaps:
- GMK Wasabi
- R1 1u CR GMK blank (F13)
HxWxD (without caps or feet): 1.38" x 14.13" x 5.25"
HxWxD (without caps): 1.5" x 14.13" x 5.25"
HxWxD: 1.75" x 14.13" x 5.25"
assembled weight: 2.11 kg (4.66 lb)
I had been waiting for this build log since you teased me with photos a few weeks ago!
Very enjoyable read as usual, sir. We both took a gamble on that green (TWINS!!), and I agree that it might not have fully worked in our favor but, doesn’t necessarily mean it doesn’t work. That outline on the bottom though, mmm!
Can’t wait for the next build!
Thank you very much for this great build log!
The board is a looker
Interesting technique of Maxf for eliminating stabs rattle.
There is a very similar approach done by @Minterly that she nicely calls ‘plug the butt’:
It consists in plugging the back stab were wire ends with thick grease. I’ve experimented on my last builds with superlube and it works like a charm. One nice thing about this technique is that you can do that after having your PCB assembled and soldered.
For plate to PCB dampening i’ve used your sorbothane strud technique with great success.
But you say that foam is also working very well and it looks much cleaner.
I’m curious at what kind of foam is used for this keyboard.
Is it the same kind as standard crafty foam we commonly see use for cosplay or art?
And is it thick enough to be compressed between the plate and the PCB (in this case it should be 4mm thick) ?
Interesting - I’ve used that lubing idea on occasion, but always as a last-minute corrective, not as standard procedure.
I haven’t been able to determine exactly what kind of foam it is. It’s denser than craft foam, although not dramatically so, but it is much more flexible - it behaves much more like a sheet of fabric than a sheet of cardboard. In this build, it’s just thick enough to make contact with the plate and PCB, but there is very little compression.
Build #43: Top Clippe
While I got into mechanical keyboards as the result of a friend’s introduction to the technical and DIY aspects of the hobby, and those still remain significant draws for me, a pleasant surprise has been meeting (albeit mostly virtually!) a bunch of cool people, with whom I’d be just as happy to share a nice beverage and meal as I would the ins and outs of stab lubing technique. Someday, hopefully sooner rather than later, there will be Keycons again, and we’ll see each other in the real world.
In the meantime, here’s a build that, perhaps a little more than most of my builds, owes its existence to various random interactions that are part and parcel of the mechanical keyboard hobby.
It begins with an act of generosity, and a bit of luck. Back at the beginning of the year, Top Clack ran a giveaway raffle of a Klippe donated by @LeandreN of Mekanisk. As I imagine must be true for many of you, I have an awesome collection of losing raffle entries, so hearing from @Quakemz that I had won one, let alone for a free housing, was quite a nice surprise!
I didn’t know beforehand which Klippe, or what color scheme, would be arriving. On initial inspection, I was the proud owner of a new blue Klippe T R2 (2019), based on the non-removable center posts, and the mountain engraving on the back face. We’ll be seeing more of the case a bit later, but here’s a quick teaser. I do like the mountains.
So what are we going to put in this case? Everything else is up for grabs - PCB, plate, stabs, switches, keycaps. Hmmm, I have an idea…
Let’s start with switches. I last used Linjars in the Brutal60 build, and I wanted to revisit their sound and feel as my switch lubing approach continues to evolve. Although on paper it’s the same lube treatment (205g0 on the stems, 104 on the springs), I think I’m using less lube, and applying it a bit more consistently, than I was at that time. Subjective, to be sure, but that’s where I am.
One thing that hasn’t changed: I lube in small batches. I can’t take much more than this in one sitting.
For the PCB, we’re using a WT60-D. In one sense, the full potential of this PCB is not being realized in this build, as those relief cuts aren’t going to offer any flex in a fixed-post tray mount…
…but, for reasons that will become apparent later, I was more concerned about a consistent internal
color scheme than usual, and the top side of the WT60-D keeps that yellow going, as do the C3 stabs.
It’s not all about looks, though - atypically for me, I remembered that the PCB had VIA support, and so I was not only able to do a quick switch test, but also make sure I had RESET bound to a key on layer 1. I still haven’t completely migrated to VIA, and have some bindings that aren’t yet supported there, but I do appreciate the ease of using VIA to quickly get the PCB into a good initial state.
Please, enjoy glops of 129 on your stabs. Every time I look back at the photos of a build in which I used 129 on the stabs, it looks like I was just firehosing it in there, but really - it’s fine. 129 excels in this respect.
For the plate, another little bit of serendipity. Back in November of last year, I managed to catch a brief
@LaserBoost sale of a few titanium 60% plates, with a choice of finish. Although I tend to be pretty pedestrian in my material choices for plates, generally preferring aluminum for sound and feel, who can resist the allure of flame-blasted titanium? My photos do it no justice:
Time to start getting the PCB/plate assembly together. As usual, seating a few switches helps to establish a good even fit.
You know the drill at this point, and after a brief soldering session, we have the plate/PCB assembly completed and we’re ready to install it in the case…
…and, six screws later, it is done.
Unsurprisingly, with a rigid titanium plate and no dampening of any sort, the initial sound test was all clack, well past my personal tolerance. So, let’s do some foam - and keep the color scheme going. I’m not too picky about foam cutting; I find it easiest to freehand squares around the mounting posts, the ledges in the case, and the USB port, and then just cut those squares out of the foam.
The first layer of 2mm foam wasn’t getting contact with the underside of the PCB, so I added a second layer, using the first layer as a stencil for the holes to cut on the second layer.
Are we done now? No! It’s time to channel our artistic muse and do some infilling. If you haven’t already done so, go check out Jae’s guide for the basic acrylic infill technique.
From that starting point, let’s attempt a slightly more ambitious acrylic paint infill for that Mekanisk mountain range on the back of the Klippe. I wanted to use three colors, one for each mountain peak, but there were two obvious problems - first, the peaks themselves were not separated by any lines, and second, the bottom edge of the engraving is open, so any acrylic paint will leak out of the bottom.
For a first step, I applied painter’s masking tape to create an edge for the first mountain peak.
Next, I used another strip of tape across the bottom to create a barrier of sorts, which I hoped would keep the paint confined to the mountain peak.
Before applying paint to the first mountain, we finish masking its surroundings.
And now we fill the mountain.
I was originally planning to do repeat fills and level the surface, but once I saw the initial result, I found I kind of liked the texture; it gave the mountain a bit of relief and depth. OK, let’s fully indulge our inner artist. A little rough around the edges at this stage, but we’ll clean that up later.
You can probably guess how the process unfolds from here, but just in case…
I was worried about that “free” edge left by the first mountain, but as it turned out, when the first mountain dried and the tape was peeled away, the aqua paint had formed its own little barrier, which I was able to carefully exploit when laying in the yellow paint.
Now, one more yellow mountain, a bit of gentle cleanup with water and isopropyl alcohol, and then we need keycaps. If you haven’t guessed by now, the obvious match for this color scheme is GMK Nautilus. Just one little problem - I don’t have GMK Nautilus! But, we’re all about serendipity, and a set in great condition came up for sale at just the right time (thanks @AdrianMan!)
So, are we done yet? Let’s think it through. A sturdy, solid housing. Bright colors suited for legibility in the inky blackness of the deep, a thematically consistent keyset to match, and a titanium plate, to withstand the intense pressures at the bottom of the sea. But what recourse do we have in the event of system failure? We need an abort feature - a way out when all else is lost. Let’s put the Q back in QMK, and add quantum teleportation to get our precious components out of harm’s way during a catastrophic decompression.
But before we implement and test that feature, let’s review.
Lessons learned
Quantum teleportation is tough to photograph, but with some judiciously applied entanglement on each layer of the keyboard internals, all things are possible.
Specifications
case: Klippe T R2 (2019)
- anodized blue aluminum
case dampening:
- 2 layers of 2mm yellow UVA foam
PCB: WT60-D
- QMK/VIA support
plate: flame-blasted titanium, 60% standard ANSI
plate/PCB dampening: n/a
stabilizers: C3 (yellow)
- 1x6.25u, 4x2u
stabilizer mods:
- housings, sliders, and wires lubed with Christo MCG 129
- installed with cloth washers
switches: 61x Linjär
switch mods:
- springs tub-lubed with Krytox 104
- stems hand-lubed with Krytox 205g0
- no housing lube
keycaps: GMK Nautilus
HxWxD (without caps or feet): 1 3/8 x 11 5/8 x 4 1/8
HxWxD (without caps): 1 7/16
HxWxD: 1 3/4
assembled weight: 1.41 kg (3.11 lb)
Oh boy what a nice build and the Nautilus set goes so well on it ! I was wondering on what board will end up on
Very nice build and perfect color combination, this klippe is georgous !